Related Paintings of unknow artist :. | Aristotle and Phyllis | Portrait of Catharine Macaulay | Arab or Arabic people and life. Orientalism oil paintings 596 | Portrait of lady with play harp | Arab or Arabic people and life. Orientalism oil paintings 415 |
Related Artists:
Benjamin Champney
(November 20, 1817 - December 11, 1907) was a painter whose name has become synonymous with White Mountain art of the 19th century. He began his training as a lithographer under celebrated marine artist Fitz Henry Lane at Pendleton's Lithography shop in Boston. Most art historians consider him the founder of the "North Conway Colony" of painters who came to North Conway, New Hampshire and the surrounding area during the second half of the 19th century. His paintings were often used to make chromolithographs that were subsequently sold to tourists who could not afford Champney's originals. He exhibited regularly at the Boston Athenæum and was a founder of the Boston Art Club
CARPI, Girolamo da
b. 1501, Ferrara, d. 1556, Ferrara His father Tommaso ( fl 1503-23) was a painter and decorator at the court of the Este in Ferrara, and Girolamo was trained in the workshop of Garofalo. He visited Rome in the early 1520s (Fioravanti Baraldi) and was in Bologna in 1525, where he worked with Biagio Pupini and Giovanni Borghese on the decoration of the sacristy of S Michele in Bosco. Around this time (1525) he painted the altarpiece of the Virgin Enthroned with Saints
Palma Vecchio
1480-1528 Italian Palma Vecchio Gallery His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE